1. |
Jetstream
05:28
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Flowing with a pulse
Trailing out behind
It's the mainstream
That creates the ripples
Caused by the rush
Running in a daydream
It disappears...
It disappears...
The exhaust forms
Concentric circles
Will you get out?
Beyond the smokescreen
What comes into focus
Is the thing you are without
Nothing in the mirror...
Nothing in the mirror...
With the Jetset
do you try to keep up
And wind yourself
up in the spin___
Now the Jetstream
Fades to thin air
You're able
To see right in
You see nothing appears...
You see nothing appears__
.
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2. |
Thud
06:36
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Thud
=====
Out in the new world
Everything is so big
Unaware of danger
You cross over the bridge
Do you think it's a good idea
To stop and look over the edge?
If you fall for me, will you land on your feet?
Peering down below
It doesn't look so far
The place I want to be
How is it to be there?
Only the sweetest spot on Earth
As long as I'm in your arms (dear)
If I fall for you, do I land on my feet?
I could follow you
Winding the lonely road
We would walk hand in hand
Wide-eyed we go alone
If we fall, do we have to land at all?
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3. |
Break
03:27
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Break
=====
I've known you for only seconds,
But I can sense the secrets that you hide
I hope you walk on by,
But you make a point to tell me your lies
Going on without a pause
Fatigued by the awful wait
Sever the bonds that keep you strong
But it's you who carries the weight
Empty house to
Rest from the hectic pace
Shot by looks
If only you'd take a break
Bones might shatter
Muscles could tear
But I won't break
As if you care
Empty shell with the
Rocks on the shore
Try to stand up
And endure some more
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4. |
Intuit
03:12
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Intuit
=====
I want you to see inside
I want to see if you mind
I want you deep inside
Then I'll know you're mine
Everyone wants to know what it's like
To have someone who can crawl up
Inside up into your head
I want you to look inside
I want to show you my mind
I want to let you inside
So you'll know you're mine
Be my twin,
Someone that I'll let in
Read my mind
Read my mind
See inside
See my mind
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5. |
Colorbind
05:45
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Colorbind
========
Wastin' all the time
that ain't so free
Stuck on the outside
surface of me
I wish I could give you
Good energy
But you're too busy judgin'
The skin you see
Pick a route other than the
same old way
Take off the blindfold and
greet the day
Bound and gagged,
or just won't say?
You know these thoughts
won't go away
Illusions distract
I feel the impact
The first thing you see
makes you react,
With all the rappin' 'bout
Injustice done
The same song each day
Still goes unsung
If colors are to
Be forgotten,
Better eat it soon
Before it's rotten,
You're holding the greatest
fruit in life,
Issues of words beyond
black and white
Bound and gagged,
or just won't say?
You know these thoughts
won't go away,
Pick a route other than the
same old way,
Take off the blindfold and
greet the day
How many blanks
did you fill?
How many moments
do you kill?
There seems to be a shade
that blocks you still
and lack of information
as to my skills / lack of skills
Feel the impact
Illusions distract
The first thing you see
Makes you react
Maybe if you only
Read my words
Would the meaning
still be a blur?
What wrong things
would you infer?
You can't drive, but
you chauffeur
.
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6. |
Men Of Steel
06:50
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Men Of Steel
===========
If the telephone rings at 3am
You know it's trouble
Your stuff is always ready
You're out the door in minutes
You know someone is threatening
To jump off your bridge
Men of steel they're called
Men of steel they're called
Rivet wrestlers
Cowboys in the sky...
We're the only ones
Dumb enough to do it,
In fact we're the only ones
With enough equipment,
Knowledge of the bridge,
And courage to go over the rail
Men of steel they're called
Men of steel they're called
Rivet wrestlers
Cowboys in the sky...
(Raga)
If you're an iron worker on the Golden Gate Bridge and the telephone rings at 3am, you know it's trouble. You know someone is threatening to jump off your bridge. Your stuff is always ready; you're out the door in minutes.
If you aren't too late, you climb out onto the cold steel and try to talk some lost soul off the beam or wrestle him or her to safety.
Many suicide attempts are impulsive; lives can be salvaged. But if you fail, if the person jumps into that bottomless fog, "there's no describing how helpless you feel," says Ken Hopper, a Golden Gate Bridge iron-worker for 17 years.
Men of called, they're called. They fix and maintain the world's most amazing tinker-toy. But, what qualifies these rivet-wrestlers to perform the delicate psychological task of suicide prevention? "We're the only ones dumb enough to do it," says Hopper, a bear of a guy with a bushy mustache and a sensitive side. In fact, they're the only ones with enough equipment, knowledge of the bridge, and courage to go over the rail.
Suicide rescue duty is voluntarily, but the bridge's iron-workers all take their turns. Sometimes a police psychologist will be at the scene, more often the rescuers are on their own.
"Suicide prevention experts have come to give us seminars," Hopper says. "They talk to these people on the phone. We deal with them face to face."
Often a would-be jumper is locked in a private mental zone and the trick is to get his or her attention. Some tricks that have worked:
"Hey, if you're going to jump, at least give me your mom's phone number so i can call her to tell her.";
"That's a nice watch, if you're going to jump, can i have it?"
Sometimes all it takes is the voice of a human who cares:
"Look, I've been through some hard times myself. I know it's possible to get help."
Hopper estimates he's rescued about 30 people, and lost three. The losses haunt him. Hopper once talked down an 18 year old college student. The next morning, while at a press conference to announce a new bridge suicide prevention program, the same teenager walked back onto the bridge and jumped.
Another time, Hopper arrived at a rescue just in time to see a man fling his two year old daugher off the bridge, and then jump, himself.
"Once in a great while," Hopper says, "one of the guys will get a note from someone they talked down. It's a treasure; it's like gold." Usually there's no follow-up, no closure. Hopper says that's a sore spot; you help save a life, he says, you become involved in that life.
A few years ago, it all got to be too much for Hopper. He had his name removed from the rescue call list and underwent therapy. As soon as he felt like he had a handle on things again, he put his name back on the list.
"It got to the point, it was more difficult NOT to do it."
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7. |
World Of Dust
07:34
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World Of Dust's tabla beat pattern, is the structural and rhythmic spine to the song.
The basic cycle, is an ascending pattern,
each bar containing from 1 to 13 beats (in reverse, for the last 3 cycles of the song, after the "hinge").
And yes, obviously the number 13 had many positive connections to Wide-Eyed as a group, and us individually, so naturally, i focused on that number for this. As mentioned in the "notes", this was the song i was working on, when Tina proposed the idea of the band to me, so 13 was an aspect from the outset (not to mention our band's address of 1339 (39 being 13x3, of course) Apt. 13 (shown on LUCK's back cover)
I wanted to capture a consistent feel, yet have the song open up on further examination, including the palindromic nature of each individual cycle, as well as the more obvious symmetry of the song as a whole.
In my mind, i visualized the pattern as sort of an audio mandala (though to say that sounds pretentious, it originated from an innocent, genuine place within myself).
It began as a personal exercise for my own practice, and recording; i didn't set out to add to Indian music, but if it were considered to be an addition, it is only a small reciprocation from me, for all that i have received from the sublime music of India.
-Patrick
Each beat #1 should be stressed.
As the beats are counted out, all have equal time value, and are in consistent tempo.
Tabla pattern in visual symmetry:
1
12
123
12-12
123
12
123-123
12-12
123
12-12-12-12
123-123-123
1
123-123-123
12-12-12-12
123
12-12
123-123
12
123
12-12
123
12
1
Pattern broken down numerically:
(1): 1
(2): 12
(3): 123
(4): 12-12
(5): 123-12
(6): 123-123
(7): 12-12-123
(8): 12-12-12-12
(9): 123-123-123
(10): 1-123-123-123
(11): 12-12-12-12-123
(12): 12-12-123-123-12
(13): 123-12-12-123-12-1
.
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8. |
Invaders Retreat
01:40
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Invaders Retreat
==============
Like a cat
With a mouse
You think it's yours,
But it's not
Intruding on the space
Invaders retreat
Invaders retreat
Like a snake
With a rock
You think it's yours,
But it's not
Crowding all the space
Invaders retreat
Invaders retreat
Like a boy
With a box
You think it's yours,
but it's not.
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9. |
(protest song)
03:10
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(protest song)
============
Look at the clouds
In the smoke-filled sky
Look at the disbelief
In my eyes
I set no fire
flames consume
The hatred of brothers
Will burn the room
Too many people
In too tight a space
No one stops to help us
Avoid any answer
Destroy our living space
There's a fire on tonight
And it's not the sun
Who sets this fire?
Smoke consumes
No time to retire
No man on the moon
No one is certain
Who owns this place,
Does it even matter?
Deaf to the answers
Survival is a race
There's a fire on tonight
And it's not the sun.
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10. |
Coldwater
02:55
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Coldwater
========
Sometime in early night
Crossing town
They approached the light
Everything seems all right
It turned green, thay didn't have a clue
Without looking both ways
They started through
Everything seems all right
The other cars were sitting tight
Everybody knows
She runs the lights
Everything seemed all right...
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11. |
Deadline
06:02
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Deadline
========
I've gotta make my deadline
Or I'm dead meat on a line
Lost, in search of a sign
The hidden piece I cannot find
I've got no time for waitin'
In this never-ending line
(and that's just the beginning)
Can't find a helping hand
Drownin' in this barren land
So much for my plans
A millionth time to begin again
Everywhere I see my hourglass
Runnin' low on sand
Either way, it's not right
Slowly you'll start to feel
You'll fall out of sight
Nightmares fill my sleep
I need to unwind
Then I wake up to find
I've wasted so much precious time
I'm closer than ever
To my deadline
I don't have the time
For this standin' still line
Heart in search for signs
The peace inside I cannot find
'Til I'm dead meat on a line
But, did I make my deadline?
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12. |
Blanketed White
03:36
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Blanketed White
=============
And what could it be?
Falling from the sky
Looking down on life
Changing the keys
Blanketed white
Sensuous light
A solid rain
Cleanse the air
And what do you see?
Floating in the sky
Looking down on life
And changing the keys
Changing the key
Looking down on life
Floating in the sky
What do you see?
Blanketed White
Warm starlight
Sudden rain
Fills the air
What do you see?
What do you see?
Blanketed white
A contrast to night
See-through rain
A lens in the air
(A) Mist the sun
Burns away
Dust blown by the
Invisible, invincible
Wind
.
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13. |
Toledo
05:12
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Toledo
======
Toledo (Nice and slow)
Neighbors on porches
Crickets making noises
Everything's great in Toledo
Maumee (mommy)
Nothing ever hurts
Can't find a speck of dirt
Everything's clean in Toledo
Ohio (now I know)
Smiles for everyone
Everyone's in the sun
Everything's right in Toledo
Something's wrong in Toledo
La La, La-La-La La...
(kick)
|
Wide-Eyed Ypsilanti, Michigan
Formed in the beginning of 2001, Wide-Eyed is Tina Lambright and Patrick Pyne. Despite being a duo, they rotated instruments for recordings to make full, band-oriented songs of varying sounds and styles. Their music can be generally described as experimental pop, or psychedelic rock, but avoiding cliches of any genre. Serious, funny, abstract or direct, despite the dressing, enjoyment is the focus ... more
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