1. |
||||
Cabochon
========
The circles within circles
Life millions of year before
Seas weakened into shore
Organisms turned to stone
The pattern was
Spinning around
Swirling around
Cemented down
Force, press, down;
Heat. constrict
Pressurized from the weight
Mass evolves into design
See how the opalescent hue shines
See how it shines
The pattern is
Spinning around
Swirling around
It's been cemented down
|
||||
2. |
Silence
02:33
|
|||
Silence
======
Silence
Overflowed by emptiness
In music it rests
Psychological test
Deafening at best
An empty nest
All other senses incensed
An ancient film
- A cup filled to the top with nothing
Without sound -
An absence of mention
The oblivion
Of the forgotten
- The silent masses
An instrument untouched
Awaiting the fatal tone
That will shatter
The silence
|
||||
3. |
Buca (Demo)
04:19
|
|||
Buca
====
From your mouth
Invisible clown lips move
One and the same
The restaurant and his stage name
Beppo, Beppo...
Beppo___
Glimpse the obsession
Then hide the regression
There are already plans in place
In the basement
Innocent eater
At lunch from his job
I am witness to the horror
A hit from an imagined mob
From his mouth
Soft words
Before the shouting began
He never even ran
Beppo, Beppo...
Beppo___
Blood, wine or tomato sauce,
No one can distinguish the three
You'd better have another drink
To look again and see
If what you think you saw
Was really what you thought you saw
And if it was all really true
("Raow")
Glimpse the aggression
That led to the transgression
All could see the plan taking place
In the basement
From their mouths
Lips shape the words
That cannot begin to tell
Just how far
This clown
Fell__
|
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4. |
||||
New Mold
========
The track runs in a figure-eight
Condemned to another lap
To see before your eyes
The chemistry that fills the gap
Every day I face this attack
But it's time to expose an unseen fact
Do you suppose that you know
How it flows?
But I can shift the beat,
And let it repeat,
Regardless of the color of my meat
The beat is in the mind
Where you find
You bind your very soul
To a pole of fear -
You could raise the bar,
but you make it a spear
One of us becomes our very dear
Stereotypes of old
No one race can hold the deed on soul
So get out of the hole
Of the racist mole
Time to sculpt a brand new mold
The figure-eight continues on
Exhausted, you run beyond
Of all of the unknown
Strength that you tap
As you hope for another lap
The track runs in a figure-eight
Condemned to another lap
To see before your eyes
The chemistry that fills the gap
You suppose that you know
How it flows?
But I can shift the beat,
And let it repeat,
Regardless of the color of my meat
The beat is in the mind
Where you find
You bind your very soul
To a pole of fear -
You could raise the bar,
but you make it a spear
The figure-eight continues on
Exhausted, you run beyond
Every day I face this attack
But flip it around,
And here it comes back
|
||||
5. |
||||
Men Of Steel
===========
If the telephone rings at 3am
You know it's trouble
Your stuff is always ready
You're out the door in minutes
You know someone is threatening
To jump off your bridge
Men of steel they're called
Men of steel they're called
Rivet wrestlers
Cowboys in the sky...
We're the only ones
Dumb enough to do it,
In fact we're the only ones
With enough equipment,
Knowledge of the bridge,
And courage to go over the rail
Men of steel they're called
Men of steel they're called
Rivet wrestlers
Cowboys in the sky...
(Raga)
If you're an iron worker on the Golden Gate Bridge and the telephone rings at 3am, you know it's trouble. You know someone is threatening to jump off your bridge. Your stuff is always ready; you're out the door in minutes.
If you aren't too late, you climb out onto the cold steel and try to talk some lost soul off the beam or wrestle him or her to safety.
Many suicide attempts are impulsive; lives can be salvaged. But if you fail, if the person jumps into that bottomless fog, "there's no describing how helpless you feel," says Ken Hopper, a Golden Gate Bridge iron-worker for 17 years.
Men of called, they're called. They fix and maintain the world's most amazing tinker-toy. But, what qualifies these rivet-wrestlers to perform the delicate psychological task of suicide prevention? "We're the only ones dumb enough to do it," says Hopper, a bear of a guy with a bushy mustache and a sensitive side. In fact, they're the only ones with enough equipment, knowledge of the bridge, and courage to go over the rail.
Suicide rescue duty is voluntarily, but the bridge's iron-workers all take their turns. Sometimes a police psychologist will be at the scene, more often the rescuers are on their own.
"Suicide prevention experts have come to give us seminars," Hopper says. "They talk to these people on the phone. We deal with them face to face."
Often a would-be jumper is locked in a private mental zone and the trick is to get his or her attention. Some tricks that have worked:
"Hey, if you're going to jump, at least give me your mom's phone number so i can call her to tell her.";
"That's a nice watch, if you're going to jump, can i have it?"
Sometimes all it takes is the voice of a human who cares:
"Look, I've been through some hard times myself. I know it's possible to get help."
Hopper estimates he's rescued about 30 people, and lost three. The losses haunt him. Hopper once talked down an 18 year old college student. The next morning, while at a press conference to announce a new bridge suicide prevention program, the same teenager walked back onto the bridge and jumped.
Another time, Hopper arrived at a rescue just in time to see a man fling his two year old daugher off the bridge, and then jump, himself.
"Once in a great while," Hopper says, "one of the guys will get a note from someone they talked down. It's a treasure; it's like gold." Usually there's no follow-up, no closure. Hopper says that's a sore spot; you help save a life, he says, you become involved in that life.
A few years ago, it all got to be too much for Hopper. He had his name removed from the rescue call list and underwent therapy. As soon as he felt like he had a handle on things again, he put his name back on the list.
"It got to the point, it was more difficult NOT to do it."
|
||||
6. |
||||
Turned Around
============
Face the coming light
No path to be found
The sun in your eyes
No matter which way you turn
You've lost your head
Turned around
Chase the sunset
Confused in twilight
Caught in the headlights
Shadows in your eyes
Afraid in the dark
Turned around
Find north
Understand
The unevenness
Of land
Feel your body sinking
Under grains of sand
Floating -
Searching -
For any shore to land
Find your way
A path on the ground
When time delivers
The full daylight
And the world keeps on spinning
Living -
Turning 'round
|
||||
7. |
Mudpuddle (Radio Edit)
03:43
|
|||
Mudpuddle
=========
You stay long after
The rain has gone
In the depression
In the ground
The collector of water
You take in the world
No life you sustain
Only the mud underneath
All it takes is a ripple
To remove the illusion
Of the reflection
Of the living world
Always the decay of filth
Under the sheen of surface
You are forced to tread
In the space between
|
||||
8. |
EVA
04:20
|
|||
9. |
Thud (Instrumental)
06:38
|
|||
10. |
Deadline (Clean version)
06:00
|
|||
Deadline
========
I've gotta make my deadline
Or I'm dead meat on a line
Lost, in search of a sign
The hidden piece I cannot find
I've got no time for waitin'
In this never-ending line
(and that's just the beginning)
Can't find a helping hand
Drownin' in this barren land
So much for my plans
A millionth time to begin again
Everywhere I see my hourglass
Runnin' low on sand
Either way, it's not right
Slowly you'll start to feel
You'll fall out of sight
Nightmares fill my sleep
I need to unwind
Then I wake up to find
I've wasted so much precious time
I'm closer than ever
To my deadline
It's been the eleventh hour,
For about an entire hour
I don't have the time
For this standin' still line
Heart in search for signs
The peace inside I cannot find
'Til I'm dead meat on a line
But, did I make my deadline?
|
||||
11. |
Baily's Beads
02:46
|
|||
12. |
||||
Fade
====
As we walk, I feel the grip of your hand
A breeze takes along the cool air
The sunlight slips from the end of land
Still there's something more here
Listen, as the sound decays
Even the most vibrant things will fade
Over the water comes a beautiful strain
It attaches inside and becomes ingrained
A beauty so powerful, it causes pain
Sound so true, how can it wane?
The day is at its close
As for tomorrow, it never knows
Take in the beauty of the rose
All you can before it goes
Listen, as the sound decays
Even the most vibrant things will fade
Time to travel the rest of the road
But, with two together, there's more shade
Even when we feel the weight of the load
Still the glow on the inside is what should never fade...
|
||||
13. |
||||
14. |
||||
Upon The Dull Earth (4/4/8)
======================
Time
Out of joint
The cosmic puppets
The crack in space
Eye
In the sky
The penultimate truth
We can build you
Counter-clock world
A maze of death
Flow my tears,
The policeman said
-confessions-
Of a crap artist
Dr. Bloodmoney
The man in the high castle
The unteleported man
Martian
Time slip
Now wait
For last year
Solar lottery
-do androids dream
Of electric sheep?
|
||||
15. |
||||
16. |
||||
17. |
The Drift (Winter E.P.)
04:10
|
|||
18. |
||||
19. |
||||
20. |
||||
Invaders Retreat
==============
Like a cat
With a mouse
You think it's yours,
But it's not
Intruding on the space
Invaders retreat
Invaders retreat
Like a snake
With a rock
You think it's yours,
But it's not
Crowding all the space
Invaders retreat
Invaders retreat
Like a boy
With a box
You think it's yours,
but it's not.
|
||||
21. |
||||
None that stuck
|
||||
22. |
||||
Intuit
=====
I want you to see inside
I want to see if you mind
I want you deep inside
Then I'll know you're mine
Everyone wants to know what it's like
To have someone who can crawl up
Inside up into your head
I want you to look inside
I want to show you my mind
I want to let you inside
So you'll know you're mine
Be my twin,
Someone that I'll let in
Read my mind
Read my mind
See inside
See my mind
|
||||
23. |
WideEyedMindCollage
07:59
|
|||
24. |
||||
25. |
3:30
05:45
|
|||
3:30
====
(Tina as LInus the Cat):
Now I've got to look through these
Long tall things that sway - back and forth
Where's my window?
(Patrick as the observer):
Sometimes
People are having fun
And it sounds like they're fighting
And then you look out
And everything's fine
- Thought I was hearing one ting
Just hearing another
(T) Hey you..
(P) Hey!
(T) So...
(P) so what?
(T) What's goin' on?
(P) Just getting my... shit together
(T) Are you ready to hear what he said?
(P) Just one minute... No, go ahead (Fuck!)
(T) Are you ok?
(P) Yeah - I'm ok - thanks. Sorry.
Now I'm ready- -
(T) Ok.
------
(T) I'm trying to drink...
(P) Why?
(T) To drink a LOT
- But it's hard... Hard to drink
Too... full this way...
(P) (oh) What am i THINKING?
- Did you .... want this back?
(T) No... I'm good.
|
||||
26. |
Notion (version 3)
04:42
|
|||
Notion
=====
There is a line__
Although it seems blurred
Just where is it drawn?
Which way will it drift?
Repair the rift,
but revere the ravine?
Some things are not
Sensible to me...
A person's energy
Blanket of security
Information in weave
The power of a notion
The backdrop deceives
Static has a feel
The strongest bond is as fragile as
Paper thin glass
Some things you hear -
Some things are real -
The backdrop's energy
The power of a notion
Blanket in weave
The security of information
A person deceives
There is a line
Although it seems curved
Trying to cross an ocean
Searching for a notion
Trying to cross a notion
Searching for an ocean
Blanket of energy
A person's security
Weave of information
The backdrop deceives
The power of a notion
|
||||
27. |
||||
28. |
||||
No Creature Feature
================
No feature
Will be shown tonight
No creature
Will come from the ocean now
No story tonight is told
Of the smart, lucky and bold
No cities destroyed
Projector unemployed
No costume
Can hide the beast inside
But volume
Can drown out their ugly sound
No teacher
Will be shown what's right
No preacher
Will be thrown to the ocean now
What's seen as an image
Has something underneath
Will the scene be taken
From right beneath your feet?
|
||||
29. |
||||
30. |
Sitar #2
04:33
|
|||
31. |
||||
Coldwater
========
Sometime in early night
Crossing town
They approached the light
Everything seems all right
It turned green, thay didn't have a clue
Without looking both ways
They started through
Everything seems all right
The other cars were sitting tight
Everybody knows
She runs the lights
Everything seemed all right...
|
||||
32. |
||||
Master Of All Rationalizations
=======================
For lunch he gets an hour
Usually at the diner's lunch counter
Heart-smart platter between the silver
Fattening fare, yet he cares about food
But today having cake and eating it too
Insert the right thoughts
In your head
Make sure those thoughts
Don't follow you to bed
Starts housework when she returns from work
Always makes sure there's coffee to perk
There with a smile, never a smirk
Everyone says she's such a nice girlfriend
They don't know violence is waiting at night's end
But the world's a better place
As long as your head's in the right space
If you have all the answers to the questions
Then you're the master of all rationalizations
He sits at his desk while others preserve order
Dreams of his golf game where he beats his brother
He must be president of something or other
Translates the language of corporations
But he's the master of all rationalizations
Insert the right filter
In front of the lens
Prepare for the litter
When the daydream ends
|
||||
33. |
||||
Upon The Dull Earth (4/4/8)
======================
Time
Out of joint
The cosmic puppets
The crack in space
Eye
In the sky
The penultimate truth
We can build you
Counter-clock world
A maze of death
Flow my tears,
The policeman said
-confessions-
Of a crap artist
Dr. Bloodmoney
The man in the high castle
The unteleported man
Martian
Time slip
Now wait
For last year
Solar lottery
-do androids dream
Of electric sheep?
|
||||
34. |
Graphic Heart
05:38
|
|||
Graphic Heart 5/13/8
===================
You rip out my heart
You throw it on the ground
It lies there in the dirt
We both look down at it
Is it still beating?
Can you play / the part?
Or do you aim / the dart?
Will you create the art,
Or tear / apart
My graphic heart?
I staged a stand off today
But no one came
Held my heart for ransom trade
But no one paid
You asked / for / a raincheck
But it's supposed / to rain / tomorrow
Wonder if / all that water
Will wash away / my sorrow?
It beats in your hands
Red drops in the dirt
Without making demands
You ask for my hurt
We both look down at it
It's out of the cage
This graphic heart
Do you aim / the dart?
Can you play / the part?
Will you create the art
Or tear / apart
My graphic heart
Do you create the dart?
Play the art? Aim the part?
Torn at the start
The two sides, one part
Out of its cage
This graphic heart
|
||||
35. |
||||
Thud
=====
Out in the new world
Everything is so big
Unaware of danger
You cross over the bridge
Do you think it's a good idea
To stop and look over the edge?
If you fall for me, will you land on your feet?
Peering down below
It doesn't look so far
The place I want to be
How is it to be there?
Only the sweetest spot on Earth
As long as I'm in your arms (dear)
If I fall for you, do I land on my feet?
I could follow you
Winding the lonely road
We would walk hand in hand
Wide-eyed we go alone
If we fall, do we have to land at all?
|
Wide-Eyed Ypsilanti, Michigan
Formed in the beginning of 2001, Wide-Eyed is Tina Lambright and Patrick Pyne. Despite being a duo, they rotated instruments for recordings to make full, band-oriented songs of varying sounds and styles. Their music can be generally described as experimental pop, or psychedelic rock, but avoiding cliches of any genre. Serious, funny, abstract or direct, despite the dressing, enjoyment is the focus ... more
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