The original version from early pressings of Wide-Eyed's debut album "LUCK"
Inspired by an article that was originally written in the San Fransisco Chronicle by Scott Ostler.
I will share with you, a very personal aspect of this song,
I had a personal goal of writing a song that i would be completely emotionally involved in, every time i played or listened to it; this successfully became that song, in no small part, due to Tina's performance, and the content of the article/lyrics.
A very long time ago, i (Patrick) by accident, happened on a friend who was on the wrong side of a bridge railing, crying, i successfully talked this friend into coming back to the "living" side of the bridge. This was no "Golden Gate Bridge", but it was just as lethal. So maybe you can see how this subject is very close to me.
This version is an earlier version, with me singing the two verses, as opposed to the (final) album version, where we have a chorus at the beginning, then me speaking the verses. Though i prefer the chorus at the beginning, in retrospect, i think i prefer my singing version to my spoken version on the album; but now both are available.
- Patrick (2012)
lyrics
Men Of Steel
===========
If the telephone rings at 3am
You know it's trouble
Your stuff is always ready
You're out the door in minutes
You know someone is threatening
To jump off your bridge
Men of steel they're called
Men of steel they're called
Rivet wrestlers
Cowboys in the sky...
We're the only ones
Dumb enough to do it,
In fact we're the only ones
With enough equipment,
Knowledge of the bridge,
And courage to go over the rail
Men of steel they're called
Men of steel they're called
Rivet wrestlers
Cowboys in the sky...
(Raga)
If you're an iron worker on the Golden Gate Bridge and the telephone rings at 3am, you know it's trouble. You know someone is threatening to jump off your bridge. Your stuff is always ready; you're out the door in minutes.
If you aren't too late, you climb out onto the cold steel and try to talk some lost soul off the beam or wrestle him or her to safety.
Many suicide attempts are impulsive; lives can be salvaged. But if you fail, if the person jumps into that bottomless fog, "there's no describing how helpless you feel," says Ken Hopper, a Golden Gate Bridge iron-worker for 17 years.
Men of called, they're called. They fix and maintain the world's most amazing tinker-toy. But, what qualifies these rivet-wrestlers to perform the delicate psychological task of suicide prevention? "We're the only ones dumb enough to do it," says Hopper, a bear of a guy with a bushy mustache and a sensitive side. In fact, they're the only ones with enough equipment, knowledge of the bridge, and courage to go over the rail.
Suicide rescue duty is voluntarily, but the bridge's iron-workers all take their turns. Sometimes a police psychologist will be at the scene, more often the rescuers are on their own.
"Suicide prevention experts have come to give us seminars," Hopper says. "They talk to these people on the phone. We deal with them face to face."
Often a would-be jumper is locked in a private mental zone and the trick is to get his or her attention. Some tricks that have worked:
"Hey, if you're going to jump, at least give me your mom's phone number so i can call her to tell her.";
"That's a nice watch, if you're going to jump, can i have it?"
Sometimes all it takes is the voice of a human who cares:
"Look, I've been through some hard times myself. I know it's possible to get help."
Hopper estimates he's rescued about 30 people, and lost three. The losses haunt him. Hopper once talked down an 18 year old college student. The next morning, while at a press conference to announce a new bridge suicide prevention program, the same teenager walked back onto the bridge and jumped.
Another time, Hopper arrived at a rescue just in time to see a man fling his two year old daugher off the bridge, and then jump, himself.
"Once in a great while," Hopper says, "one of the guys will get a note from someone they talked down. It's a treasure; it's like gold." Usually there's no follow-up, no closure. Hopper says that's a sore spot; you help save a life, he says, you become involved in that life.
A few years ago, it all got to be too much for Hopper. He had his name removed from the rescue call list and underwent therapy. As soon as he felt like he had a handle on things again, he put his name back on the list.
"It got to the point, it was more difficult NOT to do it."
Formed in the beginning of 2001, Wide-Eyed is Tina Lambright and Patrick Pyne. Despite being a duo, they rotated instruments
for recordings to make full, band-oriented songs of varying sounds and styles. Their music can be generally described as experimental pop, or psychedelic rock, but avoiding cliches of any genre. Serious, funny, abstract or direct, despite the dressing, enjoyment is the focus...more
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