1. |
Love Bug
04:42
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Love Bug
=======
We speak with our lights
Early on summer nights
Sounding out the magic code
Illuminating attraction ode,
Spinning around and around
More and more tightly wound
Could you come and dance with me?
Hovering under leaves and trees
Flying over the browns and greens
Only each other's eyes we see
On these warm evenings we dance
Playing games of love and chance
Swirlling we move together
We have our moment, not forever
We never, ever make a sound
Is this love we have found?
We each find a path, then we meet
Wavering between grass and leaves
Flashing with the desire to be seen
Hidden kiss under the trees
Such a random intersection
If you happen to see the attraction
-the attraction
Spinning around and around
More and more tightly wound
We never, ever make a sound
Is this loves we have found?
Only each other do we see
Floating in the spaces between
Hovering on the edge of dreams
Won't you come and dance with me?
Won't you come and dance with me?
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2. |
Sweet Decay
03:41
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Sweet Decay
==========
What is the dirt that covers the land?
Organic decay mingling with sand
Standing on the surface that's barely crusted
Magically, majestically maladjusted
Flashbacks that flash-forward instead
Looking around and listening
To the thoughts inside their heads
Lie outside, assume we're all inbred
Worldwide bloodspill
Global Nazi landfill
A summer snowfall
The smell and taste of
The scentless, tasteless fallout
The sweet flavor in doubt
Find a drink in the pan-drought
If you run, will it pan out?
Or is it the same, if you just stand out,
And wait
For the darkness to come
Complete eclipse of the sun
The world quickly dims and fades
Did it really have to end this way?
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3. |
||||
Should Have Known It Was Dead
==========================
Empty spaces
Void of faces
Wouldn't you know
Out of all the places
It would be here
Should have known it was dead
Cracks in the streets
Nobody speaks
There's no sound, no music,
No feel, no beat
Definitely not here
Should have known it was dead
Broken glass
It's in the past
It'd be better if you
just didn't ask
What happened here?
Should have known it was dead
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4. |
No Creature Feature
03:38
|
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No Creature Feature
================
No feature
Will be shown tonight
No creature
Will come from the ocean now
No story tonight is told
Of the smart, lucky and bold
No cities destroyed
Projector unemployed
No costume
Can hide the beast inside
But volume
Can drown out their ugly sound
No teacher
Will be shown what's right
No preacher
Will be thrown to the ocean now
What's seen as an image
Has something underneath
Will the scene be taken
From right beneath your feet?
.
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5. |
Negative Wow
03:02
|
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Negative Wow
===========
Can't find the words
Buried in the dirt
Wow
Can't find my mind
Lost for all time
Wow
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6. |
Shaggy
03:02
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Shaggy
======
The way your face is looking saggy
Reminds me of something raggedy
Like a doll, but your eyes are baggy
Keepin' time, but the beats are draggy
Still you're not concerned
With the way your candle burns
To the middle from both ends
Do you consider yourself your friend?
You've got a dog, but her name is Maggie
So tell me why they call you "Shaggy"
Playing with time, but the beats are draggy
Is it because of that fat, little baggie?
The slow motion turns
A gradual burn
What's coming 'round the bend?
- It could be the end.
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7. |
Jetstream
05:28
|
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Jetstream
=======
Flowing with a pulse
Trailing out behind
It's the mainstream
That creates the ripples
Caused by the rush
Running in a daydream
It disappears...
It disappears...
The exhaust forms
Concentric circles
Will you get out?
Beyond the smokescreen
What comes into focus
Is the thing you are without
Nothing in the mirror...
Nothing in the mirror...
With the Jetset
Do you try to keep up
And wind yourself up in the spin___
Now the Jetstream
Fades to thin air
You're able
To see right in
You see nothing appears...
You see nothing appears__
.
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8. |
Minty
01:55
|
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(Instrumental)
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9. |
The Island
05:36
|
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The Island
=========
I'm on an island
What brought me to this place?
I'm on an island
The lines cannot be traced
- the trip -
I'm on an island
An ocean surrounds my island
I'm on an island
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10. |
Water Boiled
05:17
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Water Boiled
==========
The air I breathe
Is poison to me
But still i breathe all the same
An endless search
For life on Earth
Wishing it was just a game
Lots of sound
But no one around
Children's rhymes
Seem to pass the time
Bored depression
Is hard to beat
I drink my water boiled
Even that is spoiled
let alone everything I eat
It's hard to relax
Waiting on surprise attacks
Emotions like wax
I start seeing the cracks
Far past logic and facts
Still I've gotta watch my back
Lots of sound
but no one around
I don't know about
A thousand years from now
Or a hundred or even just one
When things go this way
It's a welcome day
When the Earth gets swallowed by the sun
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11. |
Icemaker
02:27
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Icemaker
=======
The Icemaker who saved the world
Made ice for his girl
He made his own sacrifice
He gave his life makin' ice
He made ice for the world
The Icemaker who saved the world
He made a great giant fridge
And took it out to the ridge
(he) Made a polar cap
To stop that greenhouse trap
He was lazy in his former life
Except when it came to makin' ice
He made ice for the world
The Icemaker who saved the world
Made ice for his friends
The frozen delights never end
A vision hit him once or twice
He saw the answer while makin' ice
The Icemaker who saved the world
Made ice for his girl
Only wanted to make some ice
Dependent on a sacrifice
Only want to make ice
For what it's worth, he saved the Earth
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12. |
World Of Dust
07:34
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World Of Dust's tabla beat pattern, is the structural and rhythmic spine to the song.
The basic cycle, is an ascending pattern,
each bar containing from 1 to 13 beats (in reverse, for the last 3 cycles of the song, after the "hinge").
And yes, obviously the number 13 had many positive connections to Wide-Eyed as a group, and us individually, so naturally, i focused on that number for my sole contribution to the great and ancient music of India.
As mentioned in the "notes", this was the song i was working on, when Tina proposed the idea of the band to me, so 13 was an aspect from the outset (not to mention our band's address of 1339 (39 being 13x3, of course) Apt. 13 (shown on LUCK's back cover)
I wanted to capture a consistent feel, yet have the song open up on further examination, including the palindromic nature of each individual cycle, as well as the more obvious symmetry of the song as a whole.
In my mind, i visualized the pattern as sort of an audio mandala (though to say that sounds pretentious, it originated from an innocent, personal exercise for my own practice, and recording; i didn't set out to "add my 2 cents" to Indian music).
Each beat #1 should be stressed.
As the beats are counted out, all have equal time value, and are in consistent tempo.
Tabla pattern in visual symmetry:
1
12
123
12-12
123
12
123-123
12-12
123
12-12-12-12
123-123-123
1
123-123-123
12-12-12-12
123
12-12
123-123
12
123
12-12
123
12
1
Pattern broken down numerically:
(1): 1
(2): 12
(3): 123
(4): 12-12
(5): 123-12
(6): 123-123
(7): 12-12-123
(8): 12-12-12-12
(9): 123-123-123
(10): 1-123-123-123
(11): 12-12-12-12-123
(12): 12-12-123-123-12
(13): 123-12-12-123-12-1
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13. |
Squooshy Cushion
02:23
|
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Squooshy Cushion
|
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14. |
Warm
04:01
|
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Warm
=====
Stop, stare
It fills up the air
Is it just me?
Do they hear what i see?
If you looked right here
You could lose your fears
And maybe it's a comforting form
And maybe it keeps you warm
Time designed to find your mind
Time refined to fill your mind
Time is mine to find
If you looked right here
You could lose your fears
Maybe it's the attractive form
Maybe it makes you warm
Walking home in the cold
You see the lights ahead
Coming in from the storm
Go to the fire to get warm
If you looked right here
You could lose your fears
Maybe the strength will form
Maybe you're getting warm
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15. |
Bauls
02:21
|
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Bauls
=====
Verse 1:
A scream in the dark
Lit by a blue moon
The voices of the young
Ring out but are gone in an instant
The light makes white patterns
On the black lawn
The cotton in the grass
Makes a good bed for all the bodies
The silky seeds from the trees
Fall like slow rain
Chorus:
Sing your watery song
As the days grow long
Verse 2:
The beginning of the heat
Stirs something inside
Afflicted with the disease
Of the wind, of the mind
Cut a path through the dead branches
To view the end of the day
Chorus:
Sing your watery song
As the days grow long
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16. |
Perigee
04:23
|
|||
Perigee
======
Somehow empty
But dirty all the same
The bus stop stands there
Sitting alone in the rain
The city filled with air
And people to breathe it all in
There's not so much life here
As there once had been
Closer and closer
We elipse each other in time
The magnetism pulls us
Regardless of the words we say
Our own minds fool us
To think it's another way
Closer and closer
We elipse each other in time
A hollow shadow
That touches us all around
No one will be nearer
Yet never utter a sound
Closer and closer
We elipse each other in time
Closer and closer
We eclipse each other in time
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17. |
Coldwater
02:55
|
|||
Coldwater
========
Sometime in early night
Crossing town
They approached the light
Everything seems all right
It turned green, thay didn't have a clue
Without looking both ways
They started through
Everything seems all right
The other cars were sitting tight
Everybody knows
She runs the lights
Everything seemed all right...
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18. |
||||
Cabochon
========
The circles within circles
Life millions of year before
Seas weakened into shore
Organisms turned to stone
The pattern was
Spinning around
Swirling around
Cemented down
Force, press, down;
Heat. constrict
Pressurized from the weight
Mass evolves into design
See how the opalescent hue shines
See how it shines
The pattern is
Spinning around
Swirling around
It's been cemented down
|
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19. |
WideEyedMindCollage
07:59
|
Wide-Eyed Ypsilanti, Michigan
Formed in the beginning of 2001, Wide-Eyed is Tina Lambright and Patrick Pyne. Despite being a duo, they rotated instruments for recordings to make full, band-oriented songs of varying sounds and styles. Their music can be generally described as experimental pop, or psychedelic rock, but avoiding cliches of any genre. Serious, funny, abstract or direct, despite the dressing, enjoyment is the focus ... more
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